|
|
| CALLAN WALDRON-HALL & JACQUES VERKADE: say when you can feel it | 07/04/23 - 14/04/23 | | The latest in OUTPUT’s ongoing series of postal exhibitions is a collaboration between artist Jacques Verkade and writer Callan Waldron-Hall.
Their “say when you can feel it” is a booklet exploring the tender,
fantastical and often misunderstood world of ASMR through a combination
of poetry and imagery. Building on previous collaborative work, “say
when you can feel it” investigates five pieces of media from some of
the most popular ASMR content creators found on YouTube and how ASMR
acts as both artform and medium, through collaged texts embedded in
digitally rendered scenescapes.
ASMR stands for Autonomous
Sensory Meridian Response, a term used to describe a pleasant tingling
sensation usually at the top of the head and spine alongside feelings
of wellbeing, in response to particular audio or visual stimuli.
Jacques’
artworks reflect the pleasing, yet sometimes uncomfortable sensations
of hyper-proximity found in many intimate pieces of ASMR media,
capturing tactile sensations such as breathing, or finger nails drawn
slowly across a microphone.
Callan’s texts draw on collage techniques, recontextualising existing media reminiscent of early ASMR content.
Both
are keen to create immersive scenescapes— spaces for sensory
exploration. In these almost-worlds, the lightest touch from a feather
might feel both delicate and repulsive. The words present take on a
physicality, at times drifting in the quiet, while others are burrowed
into skin.
Jacques and Callan invite us to lean into the
intimacy of ASMR, to embrace its potentially unsettling nature and
interrogate our own relationship with comfort and restoration.
Over
the past decade we have seen the ASMR online community develop, with
content creators devising videos intended to trigger audiences’ ASMR
for comfort, rest and relaxation. These videos range from the mundane,
such as tapping on domestic objects or up-close whispered rambles, to
more elaborate roleplays inviting audiences to participate – as
patients undergoing eye tests, receiving haircuts, or even booking
holidays to distant planets.
The scenescapes respond to the following YouTube videos and content creators respectively:
| | | | | | | | | | |
|
|